From subtle, clean and warm tube or tape saturation to the wildest multi-band guitar amp effects: FabFilter Saturn 2 delivers! FabFilter Saturn 2 offers many flavors of distortion and sound mangling, combined with multi-band audio processing and virtually endless modulation possibilities. Today, distortion is used to color sounds in various ways while mixing, by driving vacuum tubes, saturating tape and even by reducing bit rate. By driving and distorting a guitar amplifier, rock-and-roll was born in the 1960s! Since that day, distortion has been used in many forms, and not only to get that crunchy electric guitar sound. California.ĭistortion has played a huge role in music history. Analog output option card also available ($749). Special limited-time “pandemic pricing” on both 8ch ($3,500) and 16ch ($5,300) versions. Ultra-reliable power supply rated for 650,000 hours MTBF operation.High energy “pi filter” shielding provided on audio and digital feeds, destroys Bluetooth, Wi-Fi, and cellular interference.Powered by both 12VDC and worldwide 80-264VAC.Unlimited scene recall scripting and scribble-strips – ideal for the return of live shows. Remotely control Gain, Polarity, Pad, Mute, channel Linking, high-pass filter, selectable true-DC Ribbon or Phantom paths on every channel. +36dBu input headroom / 130dB dynamic range. Employs 16-ch of meticulously integrated, latest-generation AKM 192kHz A-D converters, multi-paralleled for extreme dynamic range performance and trusted Millennia sonics. Up to 256 channels of HV-316 or legacy HV-3R remote micamps can be controlled by a single instance of Windows-based AELogic, Millennia’s third-generation front-end control software. Technical Hall of Fame HV-3 micamps with legendary timbre realism and dynamic uniformity, packaged in a lightweight 1U aircraft-grade aluminum chassis. HV-316 is the most technically-advanced microphone preamplifier in Millennia's 28-year history. A 16-ch remote Dante-enabled microphone preamplifier designed for critical acoustic recording in harsh environments. Available as single mics, or matched stereo sets Created, hand-assembled and tested in the USA, all critical components are subject to the same high standards as the rest of TELEFUNKEN Elektroakustik’s product line. The TF11 was developed to bring the Alchemy Series pristine audio quality into a more compact and convenient package, designed for the studio, built for the stage, and priced for everyone. Premium through-hole components include UK-made polystyrene film capacitors, Nichicon Fine Gold electrolytic capacitors, and a high-performance, ultra-low-noise JFET amplifier. The amplifier is a unique proprietary take on the classic FET mic amplifier similar to the M60, coupled with a custom large format nickel-iron core transformer by OEP/Carnhill made in the UK. The CK12-style edge terminated capsule is a single membrane version of the capsule featured in the TF51. The TF11 features a unique combination of circuit elements shared with other TELEFUNKEN Elektroakustik designs. Blending an Austrian-inspired voicing similar to the legendary C12 with modern FET high performance, the TF11 yields a beautifully open and detailed 3D sonic image, with a quick, accurate transient response, high SPL handling, and low self-noise. The TF11 is the newest member of the Alchemy Series and TELEFUNKEN Elektroakustik’s first large diaphragm phantom-powered condenser microphone. Handbuilt in Portland, Oregon and used by top bassists like Christian McBride, Missy Raines, Barry Bales, Mark Schatz, Daniel Kimbro and more. After years of being asked for a mic specifically designed to meet the needs of the acoustic upright player, we think we've found the best design yet for this demanding application. This mounting system makes Nadine both easy to move from instrument to instrument and secure enough to leave on one bass permanently. The 14-inch Mogami cable that connects the two parts makes it easy to place the mic ideally on any bass. Physically, the mic is separated into the body, which securely straps to the tailpiece with velcro elastic, and the head, which mounts easily between the strings above the tailpiece using a rubber grommet. The low end is tuned to give a flat response at the mounting distance, and the cardioid pickup pattern provides very natural sound by picking up as much of the surface of the bass as possible. Nadine ($599) is a large-diaphragm condenser microphone specifically designed for use on upright basses, tuned to provide the most natural sound for acoustic bass in a live setting or in studio ensemble recordings.
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